Dear Mr. ...,
since they have banned at the end of the last meeting anthem further comments are not text-immanent nature of "our" song - what would have happened earlier - and neither am I am considering a job to provide for them, I wanted them anyway finally my conclusion does not deprive the named facts. I know that they have wanted a message of general nature, but I would not do justice to my inner excitement, if I keep this paper only for myself in a box and would not respond to a reader.
I think the disagreement in the discussion yesterday was already showing signs of being enough for the real problem. Let us now but once the third stanza of conceived by von Fallersleben "folk song". What they will tell us for the following word?
"... Let us all strive ...!"
Written at a time when there was no question of a unit, is expressed here, clearly a target of state, which is in terms of the- state ensues. Thus, at this time would be sought transcendent trinity of "unity, justice and freedom," one wishes, one in the most literal sense romantic longing. And perhaps it is for this reason, the third stanza as appropriate and decisive for the type of German. Only it was a yearning for something that unity, justice, freedom called. I am suggesting the problem of a connection anthem to the exclusion of others only.
always seems up from the depths of the old-new German melancholy look, the great legacy and the greatest burden of our affair with romantic names. And now even the threat of amalgamation of a romantic sense of self with a political desire ...
And you heranzog this song again and again and again aufbrühte this romantic contaminated, German-melancholic tea bags, with all its bitter ... a well-hidden fine taste. One is inclined, or should be inclined to clean his lips textbenetzten this burschenschaftlerischen and anti-Semitic woodcuts, to prescribe the scar-faced Schankgelalle the curfew. And yet one is never quite free of the hysteria from the great Anempfindung, the will to unity, however, is the great chagrin of the crowd to the individual, and thought not vice versa. Let's put it bluntly but Nietzschean: the metaphysical need refers once again that it is the man so bad with him endure and wants to go down in a mass. That is German, too German.
Finally, and not without a proposal to the field to To leave I want to report an idea that is offered to me ages ago on a television program, which was familiar with the problem of Deuschlandliedes. Who expressed the idea when and where, I do not remember to say ... but it was the idea that part of Heine's Winter's Tale begins with the words "A new song, a better song" (caput 1) as a new national anthem publish them. There is so much affirmative, this versatile and to have animated with an irony that is not in the cynical loses. A new song, the end of the liturgical prayers of repentance and Kotbrechens, no self-pity and compassion.
Heine as the last romantic and conqueror [?] Of the drunken death seems Ammenliedes have forged with his "new song" the more subtle claim to, probably knowing that it will remain a utopia. But following Oscar Wilde, is the map where the land of Utopia is not listed, to be read not worth it.
That would have been possible? No.
Here ends my speech. In a subsequent letter, I will run them Why do we need an anthem .
Sincerely
her
MA
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